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The title page of Martin Luther's Low German translation of the Bible featuring a collection of biblical scenes and symbols based on Lucas Cranach the Elder's painting, "Law and Gospel" (or "Sin and Redemption"). On the left of the image are scenes representing Law/Sin, including: a dead tree, Moses receiving the Ten Commandments, Adam and Eve, the brazen serpent, and a corpse lying atop a tomb.

The title page of Martin Luther's Low German translation of the Bible featuring a collection of biblical scenes and symbols based on Lucas Cranach the Elder's painting, "Law and Gospel" (or "Sin and Redemption"). On the left of the image are scenes representing Law/Sin, including: a dead tree, Moses receiving the Ten Commandments, Adam and Eve, the brazen serpent, and a corpse lying atop a tomb.

The title page of Thomas Netter's Doctrinalis antiquitatu[m] ecclesiae Iesu Christi liber quintus, ac tomus secundus de sacramentis, editus in Vvitcleffistas, & eoru[m] asseclas featuring a central image of a printer's workshop with two men operating the press and a third arranging type. A decorative border surrounds the title and cetral image, including several cherubs, stylized fish, sirens, and armor.

The title page of Thomas Netter's Doctrinalis antiquitatu[m] ecclesiae Iesu Christi liber quintus, ac tomus secundus de sacramentis, editus in Vvitcleffistas, & eoru[m] asseclas featuring a central image of a printer's workshop with two men operating the press and a third arranging type. A decorative border surrounds the title and cetral image, including several cherubs, stylized fish, sirens, and armor.

A woodcut title page to Johann Eck's Chrysopassus, printed in 1514. The main image depicts God, flanked by angels, reaching down to place a crown on the head of Jacob as his twin brother, Esau, looks on. A dog is seated at Esau's feet. Surrounding the central image is an architectural border featuring the coat of arms of the Holy Roman Emperor in the top left, and the symbol of the city of Augsburg, a pine cone, in the top right.

A woodcut title page to Johann Eck's Chrysopassus, printed in 1514. The main image depicts God, flanked by angels, reaching down to place a crown on the head of Jacob as his twin brother, Esau, looks on. A dog is seated at Esau's feet. Surrounding the central image is an architectural border featuring the coat of arms of the Holy Roman Emperor in the top left, and the symbol of the city of Augsburg, a pine cone, in the top right.

The title page of Kirche[n] Gesäng : aus dem Wittenbergischen vnd allen andern den besten Gesangbüchern, so biss anhero hin vnd wider aussgangen colligirt vnd gesamlet ; In eine feine richtige vnd gute ordnung gebracht, vnd auffs fleissigest, vnd nach den besten exempla, including a frame with several scenes from the New Testament. The scenes include: the nativity (top), Jesus teaching and healing (top left), Jesus praying in the Garden of Gethsemane and the crucifixion (bottom left), the resurrection (top right), and Pentecost (bottom right).

The title page of Kirche[n] Gesäng : aus dem Wittenbergischen vnd allen andern den besten Gesangbüchern, so biss anhero hin vnd wider aussgangen colligirt vnd gesamlet ; In eine feine richtige vnd gute ordnung gebracht, vnd auffs fleissigest, vnd nach den besten exempla, including a frame with several scenes from the New Testament. The scenes include: the nativity (top), Jesus teaching and healing (top left), Jesus praying in the Garden of Gethsemane and the crucifixion (bottom left), the resurrection (top right), and Pentecost (bottom right).

The title page of Diego de Saavedra Fajardo's Obras de Don Diego de Saauedra Faxardo Cavallero del Orden de S. Iago, del Consejo de su Magestad en el Supremo de las Indias, y su Embajador plenipotençiario en los treze cantones, &c. : en dos tomos divididas, el [segundo] contiene II. La republica litteraria. El segundo corona Gothica, Austriaca y Castellana dividida en tres partes featuring the printer's mark of Jan Baptist Verdussen. The mark features a heron feeding its young.

The title page of Diego de Saavedra Fajardo's Obras de Don Diego de Saauedra Faxardo Cavallero del Orden de S. Iago, del Consejo de su Magestad en el Supremo de las Indias, y su Embajador plenipotençiario en los treze cantones, &c. : en dos tomos divididas, el [segundo] contiene II. La republica litteraria. El segundo corona Gothica, Austriaca y Castellana dividida en tres partes featuring the printer's mark of Jan Baptist Verdussen. The mark features a heron feeding its young.

The title page of Diego de Saavedra Fajardo's Obras de Don Diego de Saauedra Faxardo Cavallero del Orden de S. Iago, del Consejo de su Magestad en el Supremo de las Indias, y su Embajador plenipotençiario en los treze cantones, &c. : en dos tomos divididas, el primero contiene I. Idea de un principe politico christiano, representada en cien Empresas featuring the printer's mark of Jan Baptist Verdussen. The mark features a heron feeding its young, flanked by a pair of cherubs holding fruits, with the inscription "SIGNVM AMORIS," translated as "A sign of love."

The title page of Diego de Saavedra Fajardo's Obras de Don Diego de Saauedra Faxardo Cavallero del Orden de S. Iago, del Consejo de su Magestad en el Supremo de las Indias, y su Embajador plenipotençiario en los treze cantones, &c. : en dos tomos divididas, el primero contiene I. Idea de un principe politico christiano, representada en cien Empresas featuring the printer's mark of Jan Baptist Verdussen. The mark features a heron feeding its young, flanked by a pair of cherubs holding fruits, with the inscription "SIGNVM AMORIS," translated as "A sign of love."

The title page of Peter Lambeck's Petri Lambecii Hamburgensis Commentariorum de augustissima Bibliotheca Caesarea Vindobonensi liber secundus featuring the coat of arms of the Holy Roman Empire, guarded from above by an eagle holding a sceptre and a sword. To the left and right of the main coat of arms are an additional two crests, a book and pen, and a helmet.

The title page of Peter Lambeck's Petri Lambecii Hamburgensis Commentariorum de augustissima Bibliotheca Caesarea Vindobonensi liber secundus featuring the coat of arms of the Holy Roman Empire, guarded from above by an eagle holding a sceptre and a sword. To the left and right of the main coat of arms are an additional two crests, a book and pen, and a helmet.

Summary:

Summary:

One bound manuscript of the Four Gospels in Armenian containing the following:

One bound manuscript of the Four Gospels in Armenian containing the following:

An illuminated page from the 1472 printed edition of Honorius of Atun's Cristianus ad solitariu[m] quendam De ymagine mundi. The illumination includes two initial letters "S" accented with floral patterns. The illumination uses blue, green, and red color with gold accents.

An illuminated page from the 1472 printed edition of Honorius of Atun's Cristianus ad solitariu[m] quendam De ymagine mundi. The illumination includes two initial letters "S" accented with floral patterns. The illumination uses blue, green, and red color with gold accents.

An illuminated page from the 1487 printing of Sabellico's Decades rerum Venetarum. The illumination includes an initial letter "V" and decorative acorn and oak leaf border. The illumination is done in yellow, brown, green, red, and blue color with gold accents.

An illuminated page from the 1487 printing of Sabellico's Decades rerum Venetarum. The illumination includes an initial letter "V" and decorative acorn and oak leaf border. The illumination is done in yellow, brown, green, red, and blue color with gold accents.

An illuminated page from the 1480 printed edition of the Letters of Saint Jerome. The illumination includes an initial letter "P" surrounded by floral decorations and surrounding an image of Saint Jerome holding a book. At the bottom of the page is an illumination showing a crest, which features a wolf, surrounded by a laurel wreath bound on the top, bottom, left, and right with decorative string. The illumination uses blue, red, green, brown, and black color with gold accents.

An illuminated page from the 1480 printed edition of the Letters of Saint Jerome. The illumination includes an initial letter "P" surrounded by floral decorations and surrounding an image of Saint Jerome holding a book. At the bottom of the page is an illumination showing a crest, which features a wolf, surrounded by a laurel wreath bound on the top, bottom, left, and right with decorative string. The illumination uses blue, red, green, brown, and black color with gold accents.

An illuminated page from the 1487 printing of Sabellico's Decades rerum Venetarum. The illumination includes an initial letter "Q" and decorative border composed of several generic floral patterns, a flowering pear tree branch with a bird perched on it, two different types of flowers, and a coat of arms featuring an eagle, angel, and possibly a swallow. The illumination is done in pink, yellow, black, brown, green, red, and blue color with gold accents.

An illuminated page from the 1487 printing of Sabellico's Decades rerum Venetarum. The illumination includes an initial letter "Q" and decorative border composed of several generic floral patterns, a flowering pear tree branch with a bird perched on it, two different types of flowers, and a coat of arms featuring an eagle, angel, and possibly a swallow. The illumination is done in pink, yellow, black, brown, green, red, and blue color with gold accents.

An illuminated page from a 1497 printed edition of the Pontificale Romanum. The illumination includes an initial letter "P" with a full floral border featuring a coat of arms ringed in a laurel wreath in the bottom margin. The illumination is done in red, blue, green, yellow, and black color.

An illuminated page from a 1497 printed edition of the Pontificale Romanum. The illumination includes an initial letter "P" with a full floral border featuring a coat of arms ringed in a laurel wreath in the bottom margin. The illumination is done in red, blue, green, yellow, and black color.

An illuminated page from the gospel of Matthew from volume five of the Biblia cum glossa ordinaria printed in 1498. The central initial letter "L" is done in red, blue, green, yellow, and white/grey with gold accents. There are also two examples of blue and red rubricated initial letter "L"s at the top of the page.

An illuminated page from the gospel of Matthew from volume five of the Biblia cum glossa ordinaria printed in 1498. The central initial letter "L" is done in red, blue, green, yellow, and white/grey with gold accents. There are also two examples of blue and red rubricated initial letter "L"s at the top of the page.

An illuminated page from the 1487 printing of Sabellico's Decades rerum Venetarum. The illumination includes an initial letter "S" and decorative floral border. The illumination is done in pink, brown, green, red, and blue color with gold accents.

An illuminated page from the 1487 printing of Sabellico's Decades rerum Venetarum. The illumination includes an initial letter "S" and decorative floral border. The illumination is done in pink, brown, green, red, and blue color with gold accents.

Summary: Commentary on the book of Exodus by Johannes Brenz.

Summary: Commentary on the book of Exodus by Johannes Brenz.

Summary: Commentary on the book of Leviticus by Johannes Brenz.

Summary: Commentary on the book of Leviticus by Johannes Brenz.

Summary: Johannes Brenz's commentaries on the books of Judges and Ruth.

Summary: Johannes Brenz's commentaries on the books of Judges and Ruth.

Summary: Johannes Brenz's commentary on the book of Amos.

Summary: Johannes Brenz's commentary on the book of Amos.

A woodcut initial letter "E" including the scene of the three Wise Men bringing gifts of gold, frankincense, and myrrh to Jesus and the Virgin Mary.

A woodcut initial letter "E" including the scene of the three Wise Men bringing gifts of gold, frankincense, and myrrh to Jesus and the Virgin Mary.