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An engraved portrait of Pope Paul III, who sat as pope from 1534-1549. The portrait shows Paul III wearing simple vestments with his coat of arms featured in the upper left corner. The portrait is labeled "PAVLVS. III. PONT. OPT. MAX".

An engraved portrait of Pope Paul III, who sat as pope from 1534-1549. The portrait shows Paul III wearing simple vestments with his coat of arms featured in the upper left corner. The portrait is labeled "PAVLVS. III. PONT. OPT. MAX".

An engraved portrait of Pope Paul IV, who sat as pope from 1555-1559. The portrait shows Paul IV wearing a simple miter and vestments with his coat of arms featured in the upper left corner. The portrait is labeled "PAVLVS. IV. PAPA. NEAPOLITANVS".

An engraved portrait of Pope Paul IV, who sat as pope from 1555-1559. The portrait shows Paul IV wearing a simple miter and vestments with his coat of arms featured in the upper left corner. The portrait is labeled "PAVLVS. IV. PAPA. NEAPOLITANVS".

Summary: A printed catalog of the Hofbibliothek in Vienna, Austria.

Summary: A printed catalog of the Hofbibliothek in Vienna, Austria.

An engraved portrait of Pope Pius II, who sat as pope from 1458-1464. The portrait shows Pius II wearing a papal miter with his coat of arms featured in the upper left corner. The portrait is labeled "PIVS. II. PAPA. SENENSIS".

An engraved portrait of Pope Pius II, who sat as pope from 1458-1464. The portrait shows Pius II wearing a papal miter with his coat of arms featured in the upper left corner. The portrait is labeled "PIVS. II. PAPA. SENENSIS".

An engraved portrait of Pope Pius III, who sat as pope in 1503. The portrait shows Pius III wearing a simple miter with elaborate vestments with his coat of arms featured in the upper left corner. The portrait is labeled "PIVS. III. PAPA. SENENSIS".

An engraved portrait of Pope Pius III, who sat as pope in 1503. The portrait shows Pius III wearing a simple miter with elaborate vestments with his coat of arms featured in the upper left corner. The portrait is labeled "PIVS. III. PAPA. SENENSIS".

An engraved portrait of Pope Pius IV, who sat as pope from 1559-1565. The portrait shows Pius IV wearing a simple miter and vestments with his coat of arms featured in the upper left corner. The portrait is labeled "PIVS. IV. PAPA. MEDIOLANENSIS".

An engraved portrait of Pope Pius IV, who sat as pope from 1559-1565. The portrait shows Pius IV wearing a simple miter and vestments with his coat of arms featured in the upper left corner. The portrait is labeled "PIVS. IV. PAPA. MEDIOLANENSIS".

An engraved portrait of Pope Pius V, who sat as pope from 1566-1572. The portrait shows Pius V wearing simple vestments with his coat of arms featured in the upper left corner. The portrait is labeled "PIVS. V. PAPA. ALEXANDRINVS".

An engraved portrait of Pope Pius V, who sat as pope from 1566-1572. The portrait shows Pius V wearing simple vestments with his coat of arms featured in the upper left corner. The portrait is labeled "PIVS. V. PAPA. ALEXANDRINVS".

Summary: The Pontificale Romanum contains the liturgical rites for the sacraments of confirmation and Holy orders performed by bishops. The work is called "liber pontificalis" (pontifical or papal book) here, as books bearing pontifical authority often were prior to the 16th century, but it should not be confused with the papal annals, also called Liber Pontificalis, which is used by historians of the early Roman Church

Summary: The Pontificale Romanum contains the liturgical rites for the sacraments of confirmation and Holy orders performed by bishops. The work is called "liber pontificalis" (pontifical or papal book) here, as books bearing pontifical authority often were prior to the 16th century, but it should not be confused with the papal annals, also called Liber Pontificalis, which is used by historians of the early Roman Church

Summary: Second German edition of Johannes Brenz' postil or lectionary sermons, presented in three parts. The fourth part is a harmony and interpretation of the four Gospel passion stories.

Summary: Second German edition of Johannes Brenz' postil or lectionary sermons, presented in three parts. The fourth part is a harmony and interpretation of the four Gospel passion stories.

A woodcut depicting a preist dressed in the vestments described in Exodus 28, including an elaborate ephod and/or breastpiece, a long robe decorated with pomegranates and bells, and a decorated turban.

A woodcut depicting a preist dressed in the vestments described in Exodus 28, including an elaborate ephod and/or breastpiece, a long robe decorated with pomegranates and bells, and a decorated turban.

Summary: A Vulgate Latin Bible, with the "glossa ordinaria" of Walafridus Strabo and others, the "glossa interlinearis" of Anselmus Laudunensis, the "postillae" of Nicolaus de Lyra, the "expositiones prologorum" of Guillelmus Brito, the "additiones" of Paulus Burgensis, and the "replicae" of Matthias Doring.

Summary: A Vulgate Latin Bible, with the "glossa ordinaria" of Walafridus Strabo and others, the "glossa interlinearis" of Anselmus Laudunensis, the "postillae" of Nicolaus de Lyra, the "expositiones prologorum" of Guillelmus Brito, the "additiones" of Paulus Burgensis, and the "replicae" of Matthias Doring.

An image of an early, Gutenberg style printing press with a pair of ink balls on top of the arranged type. Above the image is the inscription, "EX FVMO IN LVCEM," translated as "from smoke into light."

An image of an early, Gutenberg style printing press with a pair of ink balls on top of the arranged type. Above the image is the inscription, "EX FVMO IN LVCEM," translated as "from smoke into light."

Summary: Choir book, edited by the Lutheran theologian Georg Major (Meier). The work opens with biblical canticles and Psalms of praise, followed by various hymns, prayers and litanies.

Summary: Choir book, edited by the Lutheran theologian Georg Major (Meier). The work opens with biblical canticles and Psalms of praise, followed by various hymns, prayers and litanies.

Summary: When Pope Paul III called for a reform council at Mantua in 1536, the Protestants were faced with a dilemma. If they attended the council they would be recognizing the Pope's authority in such matters. If they refused, then it might appear that their calls for a general council had been insincere. The sticky task of responding to the pope's call fell upon Melanchthon. This is an edition of his response.

Summary: When Pope Paul III called for a reform council at Mantua in 1536, the Protestants were faced with a dilemma. If they attended the council they would be recognizing the Pope's authority in such matters. If they refused, then it might appear that their calls for a general council had been insincere. The sticky task of responding to the pope's call fell upon Melanchthon. This is an edition of his response.

A woodcut depicting Abraham preparing to sacrifice his son, Isaac, as a show of faith to God and being stopped by an angel, who provides a ram (center left) for sacrifice in Isaac's place.

A woodcut depicting Abraham preparing to sacrifice his son, Isaac, as a show of faith to God and being stopped by an angel, who provides a ram (center left) for sacrifice in Isaac's place.

A woodcut depicting an angel sealing the 144,000 faithful as a group of angels hold off the Winds from damaging the Earth. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.

A woodcut depicting an angel sealing the 144,000 faithful as a group of angels hold off the Winds from damaging the Earth. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.

Summary: Series of copper engraved prints after Maarten de Vos' drawings of hermits.

Summary: Series of copper engraved prints after Maarten de Vos' drawings of hermits.

Summary: Missal for the diocese of Bamberg, printed at the request of Bishop Georg Schenk von Limpurg (1470-1522).

Summary: Missal for the diocese of Bamberg, printed at the request of Bishop Georg Schenk von Limpurg (1470-1522).

Summary: First edition of Ulrich Pinder's Passion narrative richly illustrated with 77 woodcut images (39 full page). Pinder was medical doctor, who had served as the court physician of the Elector Frederick the Wise of Saxony. After 1493 he was the town physician for the city of Nuremberg, where he also wrote several medical tracts and published a variety of books with the printer Friedrich Peypus. For this work, Pinder employed the services of the engravers Hans Schaufelein, who contributed 39 woodcuts, and Hans Baldung Grien, who contributed 21 woodcuts.

Summary: First edition of Ulrich Pinder's Passion narrative richly illustrated with 77 woodcut images (39 full page). Pinder was medical doctor, who had served as the court physician of the Elector Frederick the Wise of Saxony. After 1493 he was the town physician for the city of Nuremberg, where he also wrote several medical tracts and published a variety of books with the printer Friedrich Peypus. For this work, Pinder employed the services of the engravers Hans Schaufelein, who contributed 39 woodcuts, and Hans Baldung Grien, who contributed 21 woodcuts.

A woodcut depicting the full layout of the Tabernacle court, including the altar of burnt offerings, the bronze laver, and the inner tent with the table, lampstand, altar of incense, and the Ark of the Covanent.

A woodcut depicting the full layout of the Tabernacle court, including the altar of burnt offerings, the bronze laver, and the inner tent with the table, lampstand, altar of incense, and the Ark of the Covanent.

A woodcut depicting the acacia wood frames with silver bases for the tabernacle.

A woodcut depicting the acacia wood frames with silver bases for the tabernacle.