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Summary: A reply to Martin Luther's "An den Bock zu Leipzig."

Summary: A reply to Martin Luther's "An den Bock zu Leipzig."

Summary: This is Luther's first public attack on Johannes Eck. Included in this volume are Eck's letter of Dec. 24, 1518 in which he records his theological differences with Karlstadt, and Eck's own 12 theses with Luther's response.

Summary: This is Luther's first public attack on Johannes Eck. Included in this volume are Eck's letter of Dec. 24, 1518 in which he records his theological differences with Karlstadt, and Eck's own 12 theses with Luther's response.

Summary: A response by Luther to the accusations leveled at him at the Leipzig Disputation by his opponent, Johann Eck.

Summary: A response by Luther to the accusations leveled at him at the Leipzig Disputation by his opponent, Johann Eck.

Summary: A report on the Leipzig Disputation of 1519, ostensibly between Karlstadt and Johann Eck, but with the active participation of Luther both in preparation and in delivery. It was at this formal disputation that Eck was successful in pushing Luther to admit that not only popes, but councils, as well, had erred. This was an important point in Eck's favor, since Luther had, up to this point, appealed from the authority of the Pope to that of an ecumenical council.

Summary: A report on the Leipzig Disputation of 1519, ostensibly between Karlstadt and Johann Eck, but with the active participation of Luther both in preparation and in delivery. It was at this formal disputation that Eck was successful in pushing Luther to admit that not only popes, but councils, as well, had erred. This was an important point in Eck's favor, since Luther had, up to this point, appealed from the authority of the Pope to that of an ecumenical council.

A woodcut depicting Hieronymus Emser's coat of arms which features a shield emblazoned with a goat's head and a helmet crowned with a goat's head. A label to the side of the crest reads "ARMA HIERONYMI EMSER".

A woodcut depicting Hieronymus Emser's coat of arms which features a shield emblazoned with a goat's head and a helmet crowned with a goat's head. A label to the side of the crest reads "ARMA HIERONYMI EMSER".

A woodcut border and central illustration on the title page toLuther's Disputatio domini Johannis Eccij et P. Martini Luther in Studio Lipsiensi futura printed in 1519. The border is composed of four separate decorative woodcuts: the left and top ones featuring plants and flowers, the right one depicting a stick with a ribbon coiled around it and stars in the background, and the bottom one depicting a monkey amidst floral ornaments. At the center of the page is a separate woodcut depicting John the Baptist carrying the Lamb of God.

A woodcut border and central illustration on the title page toLuther's Disputatio domini Johannis Eccij et P. Martini Luther in Studio Lipsiensi futura printed in 1519. The border is composed of four separate decorative woodcuts: the left and top ones featuring plants and flowers, the right one depicting a stick with a ribbon coiled around it and stars in the background, and the bottom one depicting a monkey amidst floral ornaments. At the center of the page is a separate woodcut depicting John the Baptist carrying the Lamb of God.

A woodcut border and central illustration on the title page to Luther's Disputatio et excusatio printed in 1519. The border is composed of four separate decorative woodcuts: the left and top ones featuring plants and flowers, the right one depicting a stick with a ribbon coiled around it and stars in the background, and the bottom one depicting a monkey amidst floral ornaments. At the center of the page is a separate woodcut depicting a bishop, carrying a staff and book.

A woodcut border and central illustration on the title page to Luther's Disputatio et excusatio printed in 1519. The border is composed of four separate decorative woodcuts: the left and top ones featuring plants and flowers, the right one depicting a stick with a ribbon coiled around it and stars in the background, and the bottom one depicting a monkey amidst floral ornaments. At the center of the page is a separate woodcut depicting a bishop, carrying a staff and book.

A woodcut border on the title page of Wolfgang Wulffer's pamphlet against Luther, calling him a "false prophet." The border is composed of a single woodcut depicting cherubs (top and sides), dragons (top left and right), and a man reclining while wearing a hood with pointed ears (bottom).

A woodcut border on the title page of Wolfgang Wulffer's pamphlet against Luther, calling him a "false prophet." The border is composed of a single woodcut depicting cherubs (top and sides), dragons (top left and right), and a man reclining while wearing a hood with pointed ears (bottom).

A woodcut border on the title page of Johann Eck's pamphlet in support of Hieronymus Emser printed in 1519. The entire border is created using four different woodcuts on each side. The bottom woodcut features a pair of cherubs holding up the coat of arms of Chemintz (possibly a reversed coat of arms of Leipzig). The left hand woodcut includes a cherub holding up a decorative stand upon which is a man battling a boar. The right hand woodcut includes a bent over cherub supporting a decorative stand on top of which stands a drummer.

A woodcut border on the title page of Johann Eck's pamphlet in support of Hieronymus Emser printed in 1519. The entire border is created using four different woodcuts on each side. The bottom woodcut features a pair of cherubs holding up the coat of arms of Chemintz (possibly a reversed coat of arms of Leipzig). The left hand woodcut includes a cherub holding up a decorative stand upon which is a man battling a boar. The right hand woodcut includes a bent over cherub supporting a decorative stand on top of which stands a drummer.

Summary: First printing of the first edition of a pamphlet by Johann Eck in support of Hieronymus Emser, a theologian in Leipzig and one of Luther's most vehement early opponents.

Summary: First printing of the first edition of a pamphlet by Johann Eck in support of Hieronymus Emser, a theologian in Leipzig and one of Luther's most vehement early opponents.

A woodcut depicting the printer's device of Martin Landsberg. The mark consists of two shields, one with what could be a stylized ox or cow head and a star (left) and the second with a city by a river (right). Per Davies in "Devices of the Early Printers, Vol. 9, pg. 196, "The town represented is on mounds in the former; here water seems to be indicated. If the allusion was originally to "Land" and "Berg", it is therefore now lost."

A woodcut depicting the printer's device of Martin Landsberg. The mark consists of two shields, one with what could be a stylized ox or cow head and a star (left) and the second with a city by a river (right). Per Davies in "Devices of the Early Printers, Vol. 9, pg. 196, "The town represented is on mounds in the former; here water seems to be indicated. If the allusion was originally to "Land" and "Berg", it is therefore now lost."

Summary: Johannes von Paltz (or Pals) was an Augustinian preacher and seller of indulgences. He was on the teaching faculty at the University of Erfurt at the time Martin Luther was enrolled as a student. He had published a collection of sermons under title Celifodina in 1502. It was so popular that he published the supplement in 1504. This is the second edition.

Summary: Johannes von Paltz (or Pals) was an Augustinian preacher and seller of indulgences. He was on the teaching faculty at the University of Erfurt at the time Martin Luther was enrolled as a student. He had published a collection of sermons under title Celifodina in 1502. It was so popular that he published the supplement in 1504. This is the second edition.

Summary: First printing of a rare pamphlet directed against Martin Luther. Wulffer calls Luther a false prophet and claims that his teachings contain no love, but only self-aggrandizement.

Summary: First printing of a rare pamphlet directed against Martin Luther. Wulffer calls Luther a false prophet and claims that his teachings contain no love, but only self-aggrandizement.