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An engraving of a framed image of Adam naming animals as detailed in Genesis 2:20. The framed image sits above a plinth with the inscription: "And Adam gave names to all cattle, and to the fowl of the air, and to every beast of the field:". Above the framed image are symbols of the Old and New Testaments, including the tablets of the Ten Commandments, a Sefer Torah, a Cross, and a crown of thorns flanking a glowing star shape potentially representing the Holy Spirit. The entire composition is surrounded by floral decorations held aloft by three birds.

An engraving of a framed image of Adam naming animals as detailed in Genesis 2:20. The framed image sits above a plinth with the inscription: "And Adam gave names to all cattle, and to the fowl of the air, and to every beast of the field:". Above the framed image are symbols of the Old and New Testaments, including the tablets of the Ten Commandments, a Sefer Torah, a Cross, and a crown of thorns flanking a glowing star shape potentially representing the Holy Spirit. The entire composition is surrounded by floral decorations held aloft by three birds.

A woodcut decorating the title page of Johan Geiler von Kayersberg's Seelen Paradiss. The woodcut depicts Adam and Eve in the Garden of Eden just after having eaten the fruit of the Tree of Knowledge of Good and Evil. They are shown covering themselves, each holding an apple while God looks on. In the bottom right of the scene, an angel carrying a sword guards the gate to the garden.

A woodcut decorating the title page of Johan Geiler von Kayersberg's Seelen Paradiss. The woodcut depicts Adam and Eve in the Garden of Eden just after having eaten the fruit of the Tree of Knowledge of Good and Evil. They are shown covering themselves, each holding an apple while God looks on. In the bottom right of the scene, an angel carrying a sword guards the gate to the garden.

A woodcut depicting Adam and Eve eating from the Tree of Knowledge as God looks on from Heaven. To the right, they are expelled from Eden by an angel wielding a sword. A set of four decorative woodcuts create a border around the main image and depict plants and birds.

A woodcut depicting Adam and Eve eating from the Tree of Knowledge as God looks on from Heaven. To the right, they are expelled from Eden by an angel wielding a sword. A set of four decorative woodcuts create a border around the main image and depict plants and birds.

A woodcut depicting Adam and Eve being driven from the garden of Eden by an angel. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting Adam and Eve being driven from the garden of Eden by an angel. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom).

A woodcut border to Luther's Den auszerwölte[n] lieben Gottes, allen gelydern Chrysti zuo Augspurg : seinen liebe[n] herren vnd brüdern printed in 1524. The border is composed of five separate woodcuts depicting Adam and Eve (sides), a pair of dragons flanking shields (bottom), a gryphon (center), and an owl (top).

A woodcut border to Luther's Den auszerwölte[n] lieben Gottes, allen gelydern Chrysti zuo Augspurg : seinen liebe[n] herren vnd brüdern printed in 1524. The border is composed of five separate woodcuts depicting Adam and Eve (sides), a pair of dragons flanking shields (bottom), a gryphon (center), and an owl (top).

The title page of Martin Luther's Low German translation of the Bible featuring a collection of biblical scenes and symbols based on Lucas Cranach the Elder's painting, "Law and Gospel" (or "Sin and Redemption"). On the left of the image are scenes representing Law/Sin, including: a dead tree, Moses receiving the Ten Commandments, Adam and Eve, the brazen serpent, and a corpse lying atop a tomb.

The title page of Martin Luther's Low German translation of the Bible featuring a collection of biblical scenes and symbols based on Lucas Cranach the Elder's painting, "Law and Gospel" (or "Sin and Redemption"). On the left of the image are scenes representing Law/Sin, including: a dead tree, Moses receiving the Ten Commandments, Adam and Eve, the brazen serpent, and a corpse lying atop a tomb.

A letter from John Wesley to Richard Freeman responding to Freeman's questions on the concept of evil, the nature of the Devil, the creation of the world, the role of angels, and the role of Adam and humanity. This response is to "Letter from Richard Freeman to John Wesley".

A letter from John Wesley to Richard Freeman responding to Freeman's questions on the concept of evil, the nature of the Devil, the creation of the world, the role of angels, and the role of Adam and humanity. This response is to "Letter from Richard Freeman to John Wesley".

A letter from Richard Freeman to John Wesley posing a series of questions on the concept of evil, the nature of the Devil, the creation of the world, the role of angels, and the role of Adam and humanity. John Wesley responded to this letter in "Letter from John Wesley to Richard Freeman, London".

A letter from Richard Freeman to John Wesley posing a series of questions on the concept of evil, the nature of the Devil, the creation of the world, the role of angels, and the role of Adam and humanity. John Wesley responded to this letter in "Letter from John Wesley to Richard Freeman, London".

This sermon examines sin, describing the variety of kinds of sins, being corporal or spiritual, and the effects of sin on our bodies and on our soul.

This sermon examines sin, describing the variety of kinds of sins, being corporal or spiritual, and the effects of sin on our bodies and on our soul.

A woodcut depicting Adam laboring beside a skeleton (representing Death) while Eve feeds their child in the background. The woodcut is accompanied by a verse from Genesis 2 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting Adam laboring beside a skeleton (representing Death) while Eve feeds their child in the background. The woodcut is accompanied by a verse from Genesis 2 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting God creating Eve from one of Adam's ribs. The woodcut is accompanied by a verse from Genesis 1-2 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting God creating Eve from one of Adam's ribs. The woodcut is accompanied by a verse from Genesis 1-2 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting Adam and Eve eating from the Tree of Knowledge, thus committing the Original Sin. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting Adam and Eve eating from the Tree of Knowledge, thus committing the Original Sin. The woodcut is accompanied by a verse from Genesis 3 translated into French (top) and then reformatted into verse (bottom).

This sermon examines the cruxificition of Jesus Christ, describing the manner in which he died, the betrayal of the apostle Judas, and Jesus's persistent love of humanity despite their actions.

This sermon examines the cruxificition of Jesus Christ, describing the manner in which he died, the betrayal of the apostle Judas, and Jesus's persistent love of humanity despite their actions.