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A woodcut depicting a bishop greeting the retinue of a traveling cardinal. The cardinal rides a horse with attendants holding a canopy above him while the remainder of his retinue stands before him and a bishop stands in a doorway. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting a bishop greeting the retinue of a traveling cardinal. The cardinal rides a horse with attendants holding a canopy above him while the remainder of his retinue stands before him and a bishop stands in a doorway. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting a traveling bishop and his retinue. The bishop rides a horse with hands held before him in prayer as attendants ride behind him and walk before him. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting a traveling bishop and his retinue. The bishop rides a horse with hands held before him in prayer as attendants ride behind him and walk before him. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting a bishop blessing a new cross on a church altar. The scene is flanked by a pair of cherubs supporting fruit trees. This woodcut is reused throughout the work.

A woodcut depicting a bishop blessing a new cross on a church altar. The scene is flanked by a pair of cherubs supporting fruit trees. This woodcut is reused throughout the work.

A woodcut depicting the blessing and coronation of a king. The woodcut depicts the king kneeling before the bishop with head bowed as the bishop reaches out to place a crown upon the king's head. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting the blessing and coronation of a king. The woodcut depicts the king kneeling before the bishop with head bowed as the bishop reaches out to place a crown upon the king's head. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting the blessing and coronation of a queen. The queen kneels before the bishop who reaches out to place a crown on her head. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting the blessing and coronation of a queen. The queen kneels before the bishop who reaches out to place a crown on her head. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting the dedication or consecration of a church. A bishop, aided by assistants, sprinkles holy water across an altar to bless it, using a hyssop branch. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting the dedication or consecration of a church. A bishop, aided by assistants, sprinkles holy water across an altar to bless it, using a hyssop branch. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting the dedication or consecration of a church. A bishop, aided by assistants, swings a censer across an altar, consecrating it with incense. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting the dedication or consecration of a church. A bishop, aided by assistants, swings a censer across an altar, consecrating it with incense. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut border to Luther's Den auszerwölte[n] lieben Gottes, allen gelydern Chrysti zuo Augspurg : seinen liebe[n] herren vnd brüdern printed in 1524. The border is composed of five separate woodcuts depicting Adam and Eve (sides), a pair of dragons flanking shields (bottom), a gryphon (center), and an owl (top).

A woodcut border to Luther's Den auszerwölte[n] lieben Gottes, allen gelydern Chrysti zuo Augspurg : seinen liebe[n] herren vnd brüdern printed in 1524. The border is composed of five separate woodcuts depicting Adam and Eve (sides), a pair of dragons flanking shields (bottom), a gryphon (center), and an owl (top).

A woodcut border on the title page of Luther's Iudicium de votis printed in 1521. The border is done as a single woodcut depicting a monk (left), a nun (right), a Green Man of pagan and Christian lore (bottom), and a bowl of fruit (top). The intermediate spaces are filled with floral and plant decorative motifs.

A woodcut border on the title page of Luther's Iudicium de votis printed in 1521. The border is done as a single woodcut depicting a monk (left), a nun (right), a Green Man of pagan and Christian lore (bottom), and a bowl of fruit (top). The intermediate spaces are filled with floral and plant decorative motifs.

A woodcut border on the title page of Luther's Sermon von den Heiltumen printed in 1522. The border consists of four woodcuts, all featuring plant motifs with added elements, including: a bird (left), birds and bugs (top), fruits (right), and an urn (bottom). Within the border and below the title is a fifth woodcut depicting the crucifixion of Jesus Christ, with the Virgin Mary to the left and a saint to the right.

A woodcut border on the title page of Luther's Sermon von den Heiltumen printed in 1522. The border consists of four woodcuts, all featuring plant motifs with added elements, including: a bird (left), birds and bugs (top), fruits (right), and an urn (bottom). Within the border and below the title is a fifth woodcut depicting the crucifixion of Jesus Christ, with the Virgin Mary to the left and a saint to the right.

The title page of Diego de Saavedra Fajardo's Obras de Don Diego de Saauedra Faxardo Cavallero del Orden de S. Iago, del Consejo de su Magestad en el Supremo de las Indias, y su Embajador plenipotençiario en los treze cantones, &c. : en dos tomos divididas, el primero contiene I. Idea de un principe politico christiano, representada en cien Empresas featuring the printer's mark of Jan Baptist Verdussen. The mark features a heron feeding its young, flanked by a pair of cherubs holding fruits, with the inscription "SIGNVM AMORIS," translated as "A sign of love."

The title page of Diego de Saavedra Fajardo's Obras de Don Diego de Saauedra Faxardo Cavallero del Orden de S. Iago, del Consejo de su Magestad en el Supremo de las Indias, y su Embajador plenipotençiario en los treze cantones, &c. : en dos tomos divididas, el primero contiene I. Idea de un principe politico christiano, representada en cien Empresas featuring the printer's mark of Jan Baptist Verdussen. The mark features a heron feeding its young, flanked by a pair of cherubs holding fruits, with the inscription "SIGNVM AMORIS," translated as "A sign of love."

A letter from Lois to her parents, Donald and Elsie, telling them about a show Morrell took her to see, describing a horseback trip Morrell had taken into the mountains to see how they harvest coffee, giving them updates on the two Bible Schools they ran in one week and the woman who was helping run the ones this week, sharing that they now have a truck to use that Dr. Evans had once used which has been helpful during the summer camps, describing the first meeting of the young people's group, updating them on Steed's health and development, and describing the local produce.

A letter from Lois to her parents, Donald and Elsie, telling them about a show Morrell took her to see, describing a horseback trip Morrell had taken into the mountains to see how they harvest coffee, giving them updates on the two Bible Schools they ran in one week and the woman who was helping run the ones this week, sharing that they now have a truck to use that Dr. Evans had once used which has been helpful during the summer camps, describing the first meeting of the young people's group, updating them on Steed's health and development, and describing the local produce.

A letter from Lois to her parents, Donald and Elsie, mentioning that they've started having patients at the clinic overnight because of how busy it has been, thanking them for sending some cloth for her to fix her dress, asking about Donald's shoulder, reporting on the success of the events they held on Friday and Saturday to recognize the work of the church and clinic and raise money, sharing that they are hoping that Morrell's mother will come to visit, describing the recent weather and how the family garden is faring, and giving them an update on how Steed has been.

A letter from Lois to her parents, Donald and Elsie, mentioning that they've started having patients at the clinic overnight because of how busy it has been, thanking them for sending some cloth for her to fix her dress, asking about Donald's shoulder, reporting on the success of the events they held on Friday and Saturday to recognize the work of the church and clinic and raise money, sharing that they are hoping that Morrell's mother will come to visit, describing the recent weather and how the family garden is faring, and giving them an update on how Steed has been.

A letter from Lois to her family expressing her relief and satisfaction in being able to be of more use in the church and clinic now that she and Morrell have a better handle on Spanish, describing how the family and their friends celebrated Lois' birthday, sharing that Steed is in need of a new playmate, providing an update on the clinic and the head doctor there, describing the weather, sharing about her experience going with another woman to a rural community to do some public health work and evangelistic work, giving an update on her pregnancy, reporting that the local mangoes are in

A letter from Lois to her family expressing her relief and satisfaction in being able to be of more use in the church and clinic now that she and Morrell have a better handle on Spanish, describing how the family and their friends celebrated Lois' birthday, sharing that Steed is in need of a new playmate, providing an update on the clinic and the head doctor there, describing the weather, sharing about her experience going with another woman to a rural community to do some public health work and evangelistic work, giving an update on her pregnancy, reporting that the local mangoes are in

A woodcut depicting the public expulsion of penitents from the community of the church on Ash Wednesday. The penitents, wearing hair shirts and carrying candles, are led out of the church by a bishop and his retinue. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.

A woodcut depicting the public expulsion of penitents from the community of the church on Ash Wednesday. The penitents, wearing hair shirts and carrying candles, are led out of the church by a bishop and his retinue. The scene is flanked by a pair of cherubs supporting fruit trees. The woodcut is reused throughout the work.