An engraving depicting a scene from the eighth book of the epic poem, Saint Louys, in which Christ offers the crown of Rome, the crown of Byzantium, and the Crown of Thorns to Saint Louis, who choses the Crown of Thorns. Saint Louis kneels on a cloud held up by angels, reaching out towards Christ enthroned and surrounded by seraphim, while below the two, the orders of the blessed behold the scene in praise.
An engraving depicting a scene from the eighth book of the epic poem, Saint Louys, in which Christ offers the crown of Rome, the crown of Byzantium, and the Crown of Thorns to Saint Louis, who choses the Crown of Thorns. Saint Louis kneels on a cloud held up by angels, reaching out towards Christ enthroned and surrounded by seraphim, while below the two, the orders of the blessed behold the scene in praise.
A woodcut depicting Jesus Christ teaching the apostles about the End Times as he gestures towards the heavens, where the sun, moon, and stars can be seen.
A woodcut depicting Jesus Christ teaching the apostles about the End Times as he gestures towards the heavens, where the sun, moon, and stars can be seen.
A woodcut depicting Saint John the Apostle's vision from the first chapter of Revelations of a Christ with flaming eyes, surrounded by seven candlesticks and holding seven stars, with a sword emerging from his mouth. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.
A woodcut depicting Saint John the Apostle's vision from the first chapter of Revelations of a Christ with flaming eyes, surrounded by seven candlesticks and holding seven stars, with a sword emerging from his mouth. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.
A woodcut by Urs Graf depicting Christ in the garden of Gethsemane. The image was taken from a 1506 harmony of the Gospel texts of the Passion, edited by Matthias Ringmann, translated by Geiler von Keysersberg and printed by Johann Knobloch in Strasbourg.
A woodcut by Urs Graf depicting Christ in the garden of Gethsemane. The image was taken from a 1506 harmony of the Gospel texts of the Passion, edited by Matthias Ringmann, translated by Geiler von Keysersberg and printed by Johann Knobloch in Strasbourg.
A woodcut by Urs Graf depicting Christ carrying the Cross. The image was taken from a 1506 harmony of the Gospel texts of the Passion, edited by Matthias Ringmann, translated by Geiler von Keysersberg and printed by Johann Knobloch in Strasbourg.
A woodcut by Urs Graf depicting Christ carrying the Cross. The image was taken from a 1506 harmony of the Gospel texts of the Passion, edited by Matthias Ringmann, translated by Geiler von Keysersberg and printed by Johann Knobloch in Strasbourg.
A woodcut by Urs Graf depiicting Christ being scourged and crowned with thorns. The image was taken from a 1506 harmony of the Gospel texts of the Passion, edited by Matthias Ringmann, translated by Geiler von Keysersberg and printed by Johann Knobloch in Strasbourg.
A woodcut by Urs Graf depiicting Christ being scourged and crowned with thorns. The image was taken from a 1506 harmony of the Gospel texts of the Passion, edited by Matthias Ringmann, translated by Geiler von Keysersberg and printed by Johann Knobloch in Strasbourg.
A woodcut depicting the resurrection of Jesus Christ. Christ is depicted at the top center of the image, surrounded by cherubim. At the bottom right is Christ's open and empty tomb. On the bottom left, a group of cherubim are burying the body of a man, perhaps representing Christ's transformation from a physical body to a spiritual one.
A woodcut depicting the resurrection of Jesus Christ. Christ is depicted at the top center of the image, surrounded by cherubim. At the bottom right is Christ's open and empty tomb. On the bottom left, a group of cherubim are burying the body of a man, perhaps representing Christ's transformation from a physical body to a spiritual one.
This sermon addresses the humble birth of Jesus, describing the conditions of his Birth and encouraging followers of Jesus to embody his same humility in birth by abstaining from luxury or excess.
This sermon addresses the humble birth of Jesus, describing the conditions of his Birth and encouraging followers of Jesus to embody his same humility in birth by abstaining from luxury or excess.
This sermon addresses the humble birth of Jesus, encouraging followers of Jesus to embody his same humility in birth by abstaining from luxury or excess.
This sermon addresses the humble birth of Jesus, encouraging followers of Jesus to embody his same humility in birth by abstaining from luxury or excess.
Albrecht Dürer's woodcut presents Christ seated at the table in Emmaus with the two disciples from the road and two hosts. Christ breaks the bread and thus this image captures the moment just prior to his disappearance from their sight.
Albrecht Dürer's woodcut presents Christ seated at the table in Emmaus with the two disciples from the road and two hosts. Christ breaks the bread and thus this image captures the moment just prior to his disappearance from their sight.
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