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Summary: This volume consists of translations from J. Cochaeus' Latin work "Septiceps Lutherus. It is cast in dialogue form and discusses eight topics of religion, showing how Luther had departed from Catholic truth in these areas. The title page woodcut was a classic piece of Catholic propaganda, portraying Luther not only as a Doctor and Churchman, but as a Turk, a wild enthusiast (Schwarmer) and "Barrabas."

Summary: This volume consists of translations from J. Cochaeus' Latin work "Septiceps Lutherus. It is cast in dialogue form and discusses eight topics of religion, showing how Luther had departed from Catholic truth in these areas. The title page woodcut was a classic piece of Catholic propaganda, portraying Luther not only as a Doctor and Churchman, but as a Turk, a wild enthusiast (Schwarmer) and "Barrabas."

A woodcut depicting Martin Luther as a seven-headed monster, critiquing his deviation from Catholicism. Each head is labeled (from left to right): Doctor, Martinus, Luther, Ecclesiast, Schwirmer [Schwärmer], Visitieter, and Barrabas. This was a classic piece of Catholic propaganda, portraying Luther not only as a Doctor and Churchman, but as a Turk, a wild enthusiast (Schwarmer) and "Barrabas."

A woodcut depicting Martin Luther as a seven-headed monster, critiquing his deviation from Catholicism. Each head is labeled (from left to right): Doctor, Martinus, Luther, Ecclesiast, Schwirmer [Schwärmer], Visitieter, and Barrabas. This was a classic piece of Catholic propaganda, portraying Luther not only as a Doctor and Churchman, but as a Turk, a wild enthusiast (Schwarmer) and "Barrabas."

Sketch of Martin Luther, based on a 1546 woodcut portrait of Luther by Lucas Cranach.

Sketch of Martin Luther, based on a 1546 woodcut portrait of Luther by Lucas Cranach.

Sketch of Pope Sixtus V (pope 1585-1590)

Sketch of Pope Sixtus V (pope 1585-1590)

Summary: Series of copper engraved prints after Maarten de Vos' drawings of hermits.

Summary: Series of copper engraved prints after Maarten de Vos' drawings of hermits.

A woodcut depicting souls suffering in the fires of Hell.

A woodcut depicting souls suffering in the fires of Hell.

Summary: Missal for the diocese of Bamberg, printed at the request of Bishop Georg Schenk von Limpurg (1470-1522).

Summary: Missal for the diocese of Bamberg, printed at the request of Bishop Georg Schenk von Limpurg (1470-1522).

Summary: First edition of Ulrich Pinder's Passion narrative richly illustrated with 77 woodcut images (39 full page). Pinder was medical doctor, who had served as the court physician of the Elector Frederick the Wise of Saxony. After 1493 he was the town physician for the city of Nuremberg, where he also wrote several medical tracts and published a variety of books with the printer Friedrich Peypus. For this work, Pinder employed the services of the engravers Hans Schaufelein, who contributed 39 woodcuts, and Hans Baldung Grien, who contributed 21 woodcuts.

Summary: First edition of Ulrich Pinder's Passion narrative richly illustrated with 77 woodcut images (39 full page). Pinder was medical doctor, who had served as the court physician of the Elector Frederick the Wise of Saxony. After 1493 he was the town physician for the city of Nuremberg, where he also wrote several medical tracts and published a variety of books with the printer Friedrich Peypus. For this work, Pinder employed the services of the engravers Hans Schaufelein, who contributed 39 woodcuts, and Hans Baldung Grien, who contributed 21 woodcuts.

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Summary:

Summary: "Star of the Clergy" is an anonymous handbook on pastoral care. This manual was widely printed and copied. Lotter, the Leipzig printer who produced this edition, also published Luther's first work.

Summary: "Star of the Clergy" is an anonymous handbook on pastoral care. This manual was widely printed and copied. Lotter, the Leipzig printer who produced this edition, also published Luther's first work.

Summary: Johannes von Paltz (or Pals) was an Augustinian preacher and seller of indulgences. He was on the teaching faculty at the University of Erfurt at the time Martin Luther was enrolled as a student. He had published a collection of sermons under title Celifodina in 1502. It was so popular that he published the supplement in 1504. This is the second edition.

Summary: Johannes von Paltz (or Pals) was an Augustinian preacher and seller of indulgences. He was on the teaching faculty at the University of Erfurt at the time Martin Luther was enrolled as a student. He had published a collection of sermons under title Celifodina in 1502. It was so popular that he published the supplement in 1504. This is the second edition.

A woodcut depicting the full layout of the Tabernacle court, including the altar of burnt offerings, the bronze laver, and the inner tent with the table, lampstand, altar of incense, and the Ark of the Covanent.

A woodcut depicting the full layout of the Tabernacle court, including the altar of burnt offerings, the bronze laver, and the inner tent with the table, lampstand, altar of incense, and the Ark of the Covanent.

A woodcut depicting the acacia wood frames with silver bases for the tabernacle.

A woodcut depicting the acacia wood frames with silver bases for the tabernacle.

A woodcut depicting one of the inner curtains of the Tabernacle, decorated with cherubim in blue, purple, and scarlet yarn and displayed in the Tabernacle courtyard.

A woodcut depicting one of the inner curtains of the Tabernacle, decorated with cherubim in blue, purple, and scarlet yarn and displayed in the Tabernacle courtyard.

Summary: This is Luther's reinstatement of the Litany of "All Saints", containing both the musical notation and German text of the antiphons.

Summary: This is Luther's reinstatement of the Litany of "All Saints", containing both the musical notation and German text of the antiphons.

A woodcut depicting a skeleton (= Death) leading an abbess away. The abbess holds a rosary in her hands and a crosier underneath her arm. In the bottom left-hand corner is an hourglass representing human mortality. The woodcut is accompanied by a verse from Ecclesiastes 4 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a skeleton (= Death) leading an abbess away. The abbess holds a rosary in her hands and a crosier underneath her arm. In the bottom left-hand corner is an hourglass representing human mortality. The woodcut is accompanied by a verse from Ecclesiastes 4 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a skeleton dressed as a bishop with a mitre and crosier, and representing death, taking the cloak of an abbot who holds a prayer book. In the tree is an hourglass representing human mortality. The woodcut is accompanied by a verse from Proverbs 5 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a skeleton dressed as a bishop with a mitre and crosier, and representing death, taking the cloak of an abbot who holds a prayer book. In the tree is an hourglass representing human mortality. The woodcut is accompanied by a verse from Proverbs 5 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a skeleton (= Death) holding an hourglass representing mortality above an advocate as he takes payment from another man. The woodcut is accompanied by a verse from Proverbs 22 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a skeleton (= Death) holding an hourglass representing mortality above an advocate as he takes payment from another man. The woodcut is accompanied by a verse from Proverbs 22 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting an angel, robed in clouds with legs of flaming pillars, handing a book to Saint John the Apostle and pointing up at the heavens. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.

A woodcut depicting an angel, robed in clouds with legs of flaming pillars, handing a book to Saint John the Apostle and pointing up at the heavens. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.

A woodcut depicting the victorious armies of Heaven (top right) routing the opposing forces as the beast is cast into a lake of fire and brimstone. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.

A woodcut depicting the victorious armies of Heaven (top right) routing the opposing forces as the beast is cast into a lake of fire and brimstone. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.

A woodcut depicting a skeleton (= Death) inspecting a skull as an astrologer studies a globe. The woodcut is accompanied by a verse from Job 38 translated into French (top) and then reformatted into verse (bottom).

A woodcut depicting a skeleton (= Death) inspecting a skull as an astrologer studies a globe. The woodcut is accompanied by a verse from Job 38 translated into French (top) and then reformatted into verse (bottom).