A woodcut depicting Saint John the Apostle's vision from the first chapter of Revelations of a Christ with flaming eyes, surrounded by seven candlesticks and holding seven stars, with a sword emerging from his mouth. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.
A woodcut depicting Saint John the Apostle's vision from the first chapter of Revelations of a Christ with flaming eyes, surrounded by seven candlesticks and holding seven stars, with a sword emerging from his mouth. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.
A woodcut by Urs Graf depicting Christ in the garden of Gethsemane. The image was taken from a 1506 harmony of the Gospel texts of the Passion, edited by Matthias Ringmann, translated by Geiler von Keysersberg and printed by Johann Knobloch in Strasbourg.
A woodcut by Urs Graf depicting Christ in the garden of Gethsemane. The image was taken from a 1506 harmony of the Gospel texts of the Passion, edited by Matthias Ringmann, translated by Geiler von Keysersberg and printed by Johann Knobloch in Strasbourg.
A woodcut by Urs Graf depicting Christ carrying the Cross. The image was taken from a 1506 harmony of the Gospel texts of the Passion, edited by Matthias Ringmann, translated by Geiler von Keysersberg and printed by Johann Knobloch in Strasbourg.
A woodcut by Urs Graf depicting Christ carrying the Cross. The image was taken from a 1506 harmony of the Gospel texts of the Passion, edited by Matthias Ringmann, translated by Geiler von Keysersberg and printed by Johann Knobloch in Strasbourg.
A woodcut by Urs Graf depiicting Christ being scourged and crowned with thorns. The image was taken from a 1506 harmony of the Gospel texts of the Passion, edited by Matthias Ringmann, translated by Geiler von Keysersberg and printed by Johann Knobloch in Strasbourg.
A woodcut by Urs Graf depiicting Christ being scourged and crowned with thorns. The image was taken from a 1506 harmony of the Gospel texts of the Passion, edited by Matthias Ringmann, translated by Geiler von Keysersberg and printed by Johann Knobloch in Strasbourg.
A woodcut depicting the resurrection of Jesus Christ. Christ is depicted at the top center of the image, surrounded by cherubim. At the bottom right is Christ's open and empty tomb. On the bottom left, a group of cherubim are burying the body of a man, perhaps representing Christ's transformation from a physical body to a spiritual one.
A woodcut depicting the resurrection of Jesus Christ. Christ is depicted at the top center of the image, surrounded by cherubim. At the bottom right is Christ's open and empty tomb. On the bottom left, a group of cherubim are burying the body of a man, perhaps representing Christ's transformation from a physical body to a spiritual one.
Summary: This is a response, written by Zwingli and adopted by the Council of Zurich, to a warning letter from Hugo von Hohenlandenberg (1457-1532), Bishop of Constance, about the destruction of images (Simulacra) and the reform of the Holy Mass. The bishop argued that the Bible forbade only heathen images; Christian imagery was entirely licit and its use sanctioned by the Council of Nicaea. The book was circulated at the Diet of Lucerne in April 1524 but did not reach Zurich until early June.
Summary: This is a response, written by Zwingli and adopted by the Council of Zurich, to a warning letter from Hugo von Hohenlandenberg (1457-1532), Bishop of Constance, about the destruction of images (Simulacra) and the reform of the Holy Mass. The bishop argued that the Bible forbade only heathen images; Christian imagery was entirely licit and its use sanctioned by the Council of Nicaea. The book was circulated at the Diet of Lucerne in April 1524 but did not reach Zurich until early June.
An engraving depicting the execution of Christian Langedul and three others. The image shows the four bound men being led inside a straw lean-to and chained to posts within while a brazier sits to the side ready to light the lean-to on fire.
An engraving depicting the execution of Christian Langedul and three others. The image shows the four bound men being led inside a straw lean-to and chained to posts within while a brazier sits to the side ready to light the lean-to on fire.
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