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Summary:

Summary:

Summary: Popular piety and "modern" science here make mutual if unusual companions. Science is used to teach piety and piety reinforces a scientific perspective. The smile is that just as a wagon goes on four wheels, so philosophy and human thought proceed on their "fourfold paths"---logic, physics (medicine), ethics and theology.

Summary: Popular piety and "modern" science here make mutual if unusual companions. Science is used to teach piety and piety reinforces a scientific perspective. The smile is that just as a wagon goes on four wheels, so philosophy and human thought proceed on their "fourfold paths"---logic, physics (medicine), ethics and theology.

Summary: The only printing of a pamphlet against Andreas Osiander's interpretation of Luther's doctrine of salvation by faith, signed by several theologians and pastors from Wittenberg.

Summary: The only printing of a pamphlet against Andreas Osiander's interpretation of Luther's doctrine of salvation by faith, signed by several theologians and pastors from Wittenberg.

Summary: In this "New Year's Wish," Hans Sachs considers the problem of a man facing death. He calls first upon his physical attributes--youth, beauty, strenght, etc,--but finds they cannot help him. It is the spiritual factors of Sorrow, Confession, Pepentance, Hope, Faith and above all Love, that give him good counsel and rouse him from the dream of Death. This is the second printing of the revised version.

Summary: In this "New Year's Wish," Hans Sachs considers the problem of a man facing death. He calls first upon his physical attributes--youth, beauty, strenght, etc,--but finds they cannot help him. It is the spiritual factors of Sorrow, Confession, Pepentance, Hope, Faith and above all Love, that give him good counsel and rouse him from the dream of Death. This is the second printing of the revised version.

This is a 1523 printing of Martin Luther's popular sermon on the Ten Commandments and the Seven Deadly Sins, first printed in 1520 and reprinted numerous times. The work was originally composed in Latin and was translated into German by the cartographer and Christian Hebraist Sebastian Münster.

This is a 1523 printing of Martin Luther's popular sermon on the Ten Commandments and the Seven Deadly Sins, first printed in 1520 and reprinted numerous times. The work was originally composed in Latin and was translated into German by the cartographer and Christian Hebraist Sebastian Münster.

Summary: Luther's first attempts to communicate with the Protestants at Riga were unsuccessful. Later, communications were established, and this commentary on Psalm 127 was the result of their request for something edifying. This is the seventh printing of the work.

Summary: Luther's first attempts to communicate with the Protestants at Riga were unsuccessful. Later, communications were established, and this commentary on Psalm 127 was the result of their request for something edifying. This is the seventh printing of the work.

Summary: 1531 printing of Luther's commentary on Psalm 111, written 1530 while he was staying at Coburg Fortress during the time of the Diet of Augsburg.

Summary: 1531 printing of Luther's commentary on Psalm 111, written 1530 while he was staying at Coburg Fortress during the time of the Diet of Augsburg.

Summary:

Summary:

Thomas touches the pierced side of Jesus while the apostles gather around.

Thomas touches the pierced side of Jesus while the apostles gather around.

Single sheet woodcut depicting Pope Leo X on a throne that is about to topple. Behind him are priests and monks and below them a group of Jesuits, who are trying to support the toppling throne. Leo's key, the symbol of the Petrine office is crumbling in the pope's hands. Facing Leo is Martin Luther holding an open Bible. Below him is a group of reformers led by Philipp Melanchthon, each holding a book (Bible). In the center below Leo is Friedrich Staphylus depicted as Judas Iscariot. Staphylus was a student of Philipp Melanchthon's, who rejoined the Catholic Church in 1553.

Single sheet woodcut depicting Pope Leo X on a throne that is about to topple. Behind him are priests and monks and below them a group of Jesuits, who are trying to support the toppling throne. Leo's key, the symbol of the Petrine office is crumbling in the pope's hands. Facing Leo is Martin Luther holding an open Bible. Below him is a group of reformers led by Philipp Melanchthon, each holding a book (Bible). In the center below Leo is Friedrich Staphylus depicted as Judas Iscariot. Staphylus was a student of Philipp Melanchthon's, who rejoined the Catholic Church in 1553.

Summary: This book, which contains a dedication to Joannes Luyken de Jonge, the grandson of the author [in the form of a poem], contains 47 prints by Jan Luyken. Of the 47 prints, 46 are new; amongst these are 4 prints started by Luyken and finished by P. Sluiter (engravings for pages 77, 81, 85, and 87), who also made the title page. According to the final words of the printed title, this work was published after the death of the author. Probably is this his last work and because of illness, Luyken was prevented to finish the work completely.

Summary: This book, which contains a dedication to Joannes Luyken de Jonge, the grandson of the author [in the form of a poem], contains 47 prints by Jan Luyken. Of the 47 prints, 46 are new; amongst these are 4 prints started by Luyken and finished by P. Sluiter (engravings for pages 77, 81, 85, and 87), who also made the title page. According to the final words of the printed title, this work was published after the death of the author. Probably is this his last work and because of illness, Luyken was prevented to finish the work completely.

An engraved portrait of Desiderius Erasmus based on a portrait pained by Hans Holbein. The caption reads "Desid: Erasmus Roterod: Natus 1467. Den: et Sepult: Basiliae 1556. Ad Archetypum I: Holbenii in Biblioth: bupl: Basil: adservatum pictum cum annum ageret Erasmus LV."

An engraved portrait of Desiderius Erasmus based on a portrait pained by Hans Holbein. The caption reads "Desid: Erasmus Roterod: Natus 1467. Den: et Sepult: Basiliae 1556. Ad Archetypum I: Holbenii in Biblioth: bupl: Basil: adservatum pictum cum annum ageret Erasmus LV."

An engraving depicting the execution of two young women. The image shows the young women, with crowns of straw on their heads, being led towards a stake being prepared in the background.

An engraving depicting the execution of two young women. The image shows the young women, with crowns of straw on their heads, being led towards a stake being prepared in the background.

A brief history of the Devereux Methodist Church including a list of its original charter members, and a chronological list of the church's pastors.

A brief history of the Devereux Methodist Church including a list of its original charter members, and a chronological list of the church's pastors.

A procession of pilgrims carrying a cross along the Via Dolorosa.

A procession of pilgrims carrying a cross along the Via Dolorosa.

This record contains 1 image of Dexter Methodist.

This record contains 1 image of Dexter Methodist.

Summary: H. Dungersheim had exchanged several letters with Luther before he wrote this dialogue. It was his first formal controversialist tract, written in 1520, but not published until 1531. Luther burned a manuscript copy of this work when he burned the bull Exsurge Domine on December 10, 1520.

Summary: H. Dungersheim had exchanged several letters with Luther before he wrote this dialogue. It was his first formal controversialist tract, written in 1520, but not published until 1531. Luther burned a manuscript copy of this work when he burned the bull Exsurge Domine on December 10, 1520.

This record contains 7 images of Dickey Presbyterian.

This record contains 7 images of Dickey Presbyterian.

Summary:

Summary:

Dürer's depiction of the resurrection of Christ focuses on Matthew's account: Christ emerges from the tomb while the guards shook in fear and became as dead men.

Dürer's depiction of the resurrection of Christ focuses on Matthew's account: Christ emerges from the tomb while the guards shook in fear and became as dead men.