Search

Summary: When Pope Paul III called for a reform council at Mantua in 1536, the Protestants were faced with a dilemma. If they attended the council they would be recognizing the Pope's authority in such matters. If they refused, then it might appear that their calls for a general council had been insincere. The sticky task of responding to the pope's call fell upon Melanchthon. This is an edition of his response.

Summary: When Pope Paul III called for a reform council at Mantua in 1536, the Protestants were faced with a dilemma. If they attended the council they would be recognizing the Pope's authority in such matters. If they refused, then it might appear that their calls for a general council had been insincere. The sticky task of responding to the pope's call fell upon Melanchthon. This is an edition of his response.

A woodcut depicting Mary and Joseph of Arimathea taking the body of Jesus down from the cross. The crown of thorns lies on the ground beside Jesus and the inscription "INRI" appears above the cross.

A woodcut depicting Mary and Joseph of Arimathea taking the body of Jesus down from the cross. The crown of thorns lies on the ground beside Jesus and the inscription "INRI" appears above the cross.

Summary: Theobald Billican was educated at Heidelberg where he became a close friend of Melanchthon. He was drawn to Luther in 1518 when Luther disputed on scholasticism at the University of Heidelberg. This tract on the reformation in Nordlingen attempts to prove that the old "abuses" had been corrected and replaced with "purified" doctrines. Billican consciously constructs his discourse more along Erasmian lines than according to strictly Lutheran models.

Summary: Theobald Billican was educated at Heidelberg where he became a close friend of Melanchthon. He was drawn to Luther in 1518 when Luther disputed on scholasticism at the University of Heidelberg. This tract on the reformation in Nordlingen attempts to prove that the old "abuses" had been corrected and replaced with "purified" doctrines. Billican consciously constructs his discourse more along Erasmian lines than according to strictly Lutheran models.

Summary: When Luther received the replies of S. Mazzolini, the first man to take up the cudgels against Luther, he found the best course of reply to be a reprinting with notes of Mazzolini's inept rejoinders. Even the Catholics had to admit that Mazzolini's answers simply did not meet Luther's objections. This is the second printing of the work.

Summary: When Luther received the replies of S. Mazzolini, the first man to take up the cudgels against Luther, he found the best course of reply to be a reprinting with notes of Mazzolini's inept rejoinders. Even the Catholics had to admit that Mazzolini's answers simply did not meet Luther's objections. This is the second printing of the work.

Summary: Casper Schatzgeyer, or Sasgerus, was a Franciscan friar who became provincial of the Province of Strasbourg in 1517. He wrote about 23 books on theological topics and against members of other orders and sects, notably J. von Staupitz and A. Osiander. This book, however, criticizes two of Luther's tracts: On Monastic Vows and On the Abolition of the Private Mass. Luther persuaded Johann Briessmann to reply, and Schatzgeyer replied to Briessmann. This is the work's first printing.

Summary: Casper Schatzgeyer, or Sasgerus, was a Franciscan friar who became provincial of the Province of Strasbourg in 1517. He wrote about 23 books on theological topics and against members of other orders and sects, notably J. von Staupitz and A. Osiander. This book, however, criticizes two of Luther's tracts: On Monastic Vows and On the Abolition of the Private Mass. Luther persuaded Johann Briessmann to reply, and Schatzgeyer replied to Briessmann. This is the work's first printing.

Summary: This is Luther's final authorized edition of his Ninety-five Theses in book form with his own commentaries. The edition published by Rhau-Grunemberg had been so full of errors, that Luther gave the printing of this edition to Melchior Lotter in Leipzig.

Summary: This is Luther's final authorized edition of his Ninety-five Theses in book form with his own commentaries. The edition published by Rhau-Grunemberg had been so full of errors, that Luther gave the printing of this edition to Melchior Lotter in Leipzig.

Summary: A clarification of Luther's position regarding the Leipzig disputation, a public debate between the Catholic Johann Eck on the one side and Luther and Andreas Karlstadt on the other. The work is preceded by a long letter to Spalatin, dated 15 Aug., 1519.

Summary: A clarification of Luther's position regarding the Leipzig disputation, a public debate between the Catholic Johann Eck on the one side and Luther and Andreas Karlstadt on the other. The work is preceded by a long letter to Spalatin, dated 15 Aug., 1519.

Summary: An analysis by Luther of the propositions debated by him, his colleague, Andreas Karlstadt, and Johann Eck at the Leipzig Debate of 1519.

Summary: An analysis by Luther of the propositions debated by him, his colleague, Andreas Karlstadt, and Johann Eck at the Leipzig Debate of 1519.

Summary: Response singed by 30 gnesio-Luther theologians, who had been expelled from the city of Jena.

Summary: Response singed by 30 gnesio-Luther theologians, who had been expelled from the city of Jena.

An engraving depicting the Altar of Gregory, built as dictated by a vision of Mary to contain pieces of Jesus' cradle as relics, as it appeared after restoration was done.

An engraving depicting the Altar of Gregory, built as dictated by a vision of Mary to contain pieces of Jesus' cradle as relics, as it appeared after restoration was done.

Summary: Eight-line note on rhetorical terms in 16th century Latin mss. on inside front cover; book plate and stamp of former owner Camille Aboussouan on inside front cover and verso of front flyleaf respectively; three Latin distichs identifying former owner as "Joannes Kenerus"; "Freht dich und gnad dir Gott": in ms. surrounds prrinter's device on title page; first few leaves with contemporary manuscript marginalia; "Statua Martis" in 16th century Latin mss. surrounds printer's device on last verso.

Summary: Eight-line note on rhetorical terms in 16th century Latin mss. on inside front cover; book plate and stamp of former owner Camille Aboussouan on inside front cover and verso of front flyleaf respectively; three Latin distichs identifying former owner as "Joannes Kenerus"; "Freht dich und gnad dir Gott": in ms. surrounds prrinter's device on title page; first few leaves with contemporary manuscript marginalia; "Statua Martis" in 16th century Latin mss. surrounds printer's device on last verso.

Summary: A collection of the works of Saint Isidore, of Seville.

Summary: A collection of the works of Saint Isidore, of Seville.

Summary: Latin text of the Papal Bull Ad Dominici gregis curam, issued June 4, 1536, for the Council of Mantua which was never held (council eventually took place in Trent).

Summary: Latin text of the Papal Bull Ad Dominici gregis curam, issued June 4, 1536, for the Council of Mantua which was never held (council eventually took place in Trent).

An engraved floorplan of the Sistine Chapel in the Basilica di Santa Maria Maggiore.

An engraved floorplan of the Sistine Chapel in the Basilica di Santa Maria Maggiore.

An engraving depicting the entrance to the Borghese Chapel from the nave in the Basilica di Santa Maria Maggiore. Through the doorway, the altar of the Salus Populi Romani is visible.

An engraving depicting the entrance to the Borghese Chapel from the nave in the Basilica di Santa Maria Maggiore. Through the doorway, the altar of the Salus Populi Romani is visible.

An engraved floorplan of the Borghese Chapel and adjoining rooms in the Basilica di Santa Maria Maggiore.

An engraved floorplan of the Borghese Chapel and adjoining rooms in the Basilica di Santa Maria Maggiore.

Summary:

Summary:

An engraving depicting the Sacramental altar in the Sistine Chapel in the Basilica di Santa Maria Maggiore.

An engraving depicting the Sacramental altar in the Sistine Chapel in the Basilica di Santa Maria Maggiore.

Summary: Includes Sermo in festo annuntiationis Virginis Marie, Sermo de predestinato numero damnatorum and Sermo de cathensis.

Summary: Includes Sermo in festo annuntiationis Virginis Marie, Sermo de predestinato numero damnatorum and Sermo de cathensis.

A page from Les Heures de Nostre Dame including a miniature portrait of Saint Genevieve, who is shown holding a book and a candle being lit by an angel and demon, and a decorative border featuring plants, flowers, and berries.

A page from Les Heures de Nostre Dame including a miniature portrait of Saint Genevieve, who is shown holding a book and a candle being lit by an angel and demon, and a decorative border featuring plants, flowers, and berries.